Bayeux Tapestry: British Museum Apologizes for Visitor Complaints

The director of the British Museum said on Monday that he was “really sorry” if visitors to the prestigious Bayeux Tapestry exhibition had a disappointing experience, with some complaining of long queues.

The fragile embroidery, 70 metres long, is being shown in the United Kingdom for the first time since September 10, loaned from its venue in Normandy, France, and tickets sold out quickly.

Visitors denied access to the exhibition despite their ticket

People waited for hours to enter and, last week, some told the media that, although they had tickets, they were unable to access the exhibition because the museum had closed early for a private event.

“To everyone who did not have a good time, we are truly sorry and we want to make this right”, said the museum’s director, Nicholas Cullinan, to the BBC.

Visitors can view the tapestry in 40-minute slots, but staff noted that some “want to spend more time”, which means the following group has less time, he explained.

Next week, the Bayeux Tapestry will welcome its 100,000th visitor, Mr. Cullinan said, a figure he described as “quite extraordinary”.

The museum announced on Sunday that it would make changes to improve the visitor experience, including extended opening hours and the provision of an audio guide, more seating and clearer signage.

The exhibition of this 11th-century tapestry, recounting William the Conqueror’s conquest of England, is scheduled to run until July 11, 2027.

In Vienna, a One-of-a-Kind Museum Reveals How People Long Imagined the Earth

Our view of the world has continually evolved over the centuries, as a quirky museum in Austria attests. In the heart of Vienna, away from the crowds of usual tourist sites, there lies a unique museum on Earth. A gem for history buffs and lovers of maps, and sometimes even of the sky. Located in the Mollard Palace, the Globe Museum is indeed the only public institution wholly devoted to globes.

In this 17th-century setting, more than 220 rare and ancient spheres, most of which were crafted before 1850, are on display. “Globes attest to how our imagining of the planet has evolved. This is the only place in the world where you can see so many gathered together”, explains its director, Nikolaus Schobesberger, to the BBC, on Sunday, August 30.

A true mirror of bygone beliefs

The collection mainly tells how people over time tried to understand a world that remained largely unknown to them. Each globe records what people knew as well as what they did not know at the moment of its creation.

Some 16th-century globes show a North America that is lost among uncharted territories, when California isn’t depicted as an island state, an exaggerated Asia, or an imaginary southern continent in place of Australia and Antarctica. The oceans, meanwhile, are teeming with sea monsters or dragons, not with islands. On celestial globes, Renaissance astronomical observations still sit beside Pegasus, Perseus brandishing Medusa’s severed head, and other mythical creatures or figures.

Colonialism, space conquest…

Other pieces represent a colonial view of the world, with European flags planted on African coasts or caricatured representations of Indigenous peoples, transformed into cannibals. “They reflect the mindset of their time. They are certainly magnificent works of art, but we must also take into account the date of their creation”, notes Nikolaus Schobesberger.

One of the museum’s most fascinating objects is a lunar globe, created in 1961. The visible face of the Moon is meticulously drawn, but its far side is deliberately left white, because it had simply not yet been observed. Two years later, a new globe filled in that unknown portion. It also features a reproduction of the famous Martin Behaim globe, completed in 1492, which immortalizes a world without the Americas, but with an endless ocean separating Europe from Asia.

Initially reserved for princes and wealthy merchants, globes gradually became everyday objects, found in schools and households. In the era of Google Earth, they have not thankfully lost their power to fascinate. “It is not merely a scientific instrument, it is also an object that lets you dream of distant lands”, says the custodian of this place. For him, no other work of art stirs the imagination and the urge to discover distant places as much.