Climate Alerts for France’s Heritage: Versailles, Louvre, and Carcassonne


Réchauffement climatique : "C’est toute l’offre touristique qui serait menacée" selon Benjamin Crettenand, du Réseau action climat - Crédit photo : généré par l'IA

Attitude Hotels


In 2026, the entire world rediscovered global warming.

After the election of Donald Trump, the planet had undergone a major ecological backlash. The American president pulled the country out of the Paris Agreement and prohibited words such as “climate change“, “decarbonization“, “sustainability” or “energy transition” in American researchers’ scientific research.

Paradoxically, August 2026 was the warmest month in history on a global scale, and winter does not promise to be much better, with the El Niño phenomenon nicknamed “Godzilla”.

Faced with this, France finds itself on the front line. After enormous fires and heat waves, our country is now confronted with a worrying drought.

Recently, Finistère has sounded the alarm about a risk of water shortage if rain does not come in the next days, with outages now likely.

And these climatic phenomena are not without impact on our tourism industry or our cultural heritage.

“We started from the observation that, on the one hand, climate change is already transforming our territories and landscapes. But we decided to take a step aside, realizing that cultural heritage does not escape its consequences.

The climatic hazards, increasingly frequent and intense, such as floods, droughts, heatwaves, etc., already affect monuments, collections, places of memory, or know-how.

And some sites face an imminent risk nonetheless, such as the Chambord and Azay-le-Rideau castles
“, explains Benjamin Crettenand, a climate change awareness officer and author of the report “Twenty sites threatened by climate change”.


France: “We alert that heritage is threatened”

The idea of the 40-page report by Réseau Action Climat is to show what is already at work: the tangible impact of climate change, through a selection of 20 sites spread across France, and not only within mainland France.

It also aims to project future risks that will weigh on French heritage, essential to the appeal of destination France.

To provide a comprehensive assessment, Benjamin Crettenand also gave a voice to heritage experts.

“We do not predict the disappearance of these sites, but we warn that cultural heritage, which sometimes appears immutable, is threatened by the consequences of climate change that is fast changing and, unfortunately, worsening.

The challenge is more about alerting to the need to anticipate in order to adapt, and to better understand the vulnerabilities of our heritage
“, says the rapporteur.

Read: Global warming, severe weather… What tourism in 2100?

Among the 20 sites studied, we find the Palace of Versailles, the Louvre, but also the Canal du Midi, Montenvers, the citadel of Bonifacio, and the Raisins Clairs colonial cemetery.

Places and buildings built, sometimes centuries ago, and sometimes long before the Industrial Revolution.

Moreover, the excellent Arte documentary series “Fuck la planète” reminds us that, as early as the 19th century, when mining activity intensified, scientists were already questioning the impact of these thick black fumes on our climate.

“These are places and buildings that, for the most part, were built at a time when there was not necessarily awareness of this climate change, either because it was not yet at play for some of them, or because people were not yet aware of the scale of the damage for others.

Today, we are facing changes with a speed and magnitude we have never known in our modern history.

And therefore, we find ourselves with buildings that are not necessarily prepared for this. Beyond that, we have also gradually lost a certain culture of risk
“, laments Benjamin Crettenand.


“What is worrying: we have a poor knowledge of risks”

This is the case, for example, with Saint-Malo, where part of the city was built by reclaiming land from the sea. Yet at that time, the sea level was lower.

However, the protections on which the corsair city relies are not always adapted to events that have occurred in recent years, nor likely to those to come.

The Montenvers case is the most striking.

In 140 years, melting has caused a 2-kilometer retreat of the glacier and a loss of 220 meters of thickness. It is now necessary to descend 550 steps to reach the glacier from the cable car exit.

Also concerning the “sea of ice,” which bears its name less and less fittingly, the cave allowing visitors to wander inside the glacier is threatened with closure within three to five years… due to a lack of ice!

“When working on these subjects, there is a certain worry, even if we do not want to be alarmist. Nevertheless, we realize there is quite a large vulnerability of these sites.

The most worrying thing perhaps is that we have a fairly poor understanding of these risks and vulnerabilities.

After all, the report’s aim is to show that all is not lost and that nothing will disappear tomorrow either.

However, action must be taken and these threats must be anticipated, in order to adapt and anticipate degradations, and also to reduce greenhouse gas emissions to limit the impacts
“, asserts the climate change awareness officer of Réseau Action Climat.

It should be understood that if the report focuses on 20 sites, the number of threatened sites in France is much larger.

Incidentally, the Centre des monuments nationaux published a study in September stating that all of its 110 sites were “strongly exposed” to climatic hazards, especially in a France at +4 °C.

“Cultural heritage is broadly under threat across France. And this begins today, as seen with the deconstruction of the phare de la Coubre, already announced in January 2025 by the Interregional Directorate of the Sea for the South Atlantic, which manages it.

A decision taken to prevent it from collapsing due to coastal retreat.

There is no hierarchy of threats. However, there are certain events that are very difficult, if not impossible, to prepare for, such as floods or coastline retreat.

Then you have the problem of heat waves, which we see all over France and which will weaken collections, but also pose health risks for people.

Because, beyond the threat to buildings, we also face risks to visiting and working conditions, enumerates the rapporteur.


Réchauffement climatique : “C’est toute l’offre touristique qui serait menacée”

You’ve understood it, faced with unbridled climate warming and the absence of adaptation solutions, the entire tourism industry could be affected.

“We know that our monuments are a core part of France’s tourist appeal. And, behind the Loire Valley châteaux, the Louvre, etc., it’s the overall tourism offer that would be threatened.

Because degraded buildings, closures, or visiting conditions that are much less comfortable, or even unacceptable, could impact France’s tourist appeal, while the importance of this sector for our country is well established
“, asserts him.

It thus becomes essential to better understand the risks, to map them and to anticipate what could happen.

“Some site managers tell us they are not prepared for climatic hazards if something were to occur.

We must both better understand these risks and better anticipate them. That will involve maintaining buildings and equipment, but also preparing emergency plans.

If tomorrow a museum faces flooding, we must be able to respond. Teams need to know what to do to safeguard visitors, the works, and also to protect themselves.

Therefore, adaptation will rely on training the teams so that they can act,
“, advises Benjamin Crettenand.


“L’adaptation a ses limites, nous devons réduire notre impact sur le climat”

If adapting will always be cheaper than inaction, it will still not be enough in the face of threats of disappearance looming over some heritage sites.

“Adaptation has its limits, because the capacity to adapt varies greatly depending on the structures. All sites, especially the smallest ones, do not necessarily have the human, financial, technical means, nor simply the knowledge needed to anticipate.

Adaptation alone will not suffice. The higher warming climbs, the more costly or less effective some measures become. At the same time, it is necessary to reduce our greenhouse gas emissions.

Our message is to say that we must pursue reducing our climate impact. We have no choice if we also want to protect our cultural heritage
“, says the rapporteur.

Read: Canicule: tourism under climate pressure


Deadly landslide strikes UNESCO World Heritage site in Cappadocia

Three people, including a foreign national, were killed and five others injured when a rock column collapsed on Thursday at a UNESCO World Heritage site in Cappadocia, in central Turkey.

The site, which draws visitors from around the globe, hosts formations known as “fairy chimneys” formed by ancient volcanic activity. They are now destabilized by both natural processes and over-tourism.

A deadly rockfall in broad daylight

The bodies of three individuals, including one foreign national, were recovered beneath the stones, Nevşehir governor Huseyin Kok said. Five others were injured, authorities added, one of whom remained in hospital on Thursday evening.

The incident occurred at 15:15 local time (12:15 GMT) following “a rockfall caused by a landslide in the town of Göreme”, the governor specified.

An investigation has been opened by the Nevşehir prosecutor’s office and is due to begin Friday morning. The nationality of the foreign victim has not been specified.

Images from the Turkish news agency IHA showed a vast plume of dust rising beside a parking area, as well as the body of a victim trapped beneath a massive rock.

Bulldozers and rescuers, equipped with powerful flashlights, were at work well after nightfall, sometimes quieting the machines in hopes of catching the calls of potential survivors beneath the enormous blocks that had broken away from the cliff. “Our teams pulled back after determining that it was no longer necessary to continue the operations”, the governor said shortly after 7:30 p.m., implying that the toll was final.

A World Heritage site fragile under the pressure of tourism

The site has been on the UNESCO World Heritage list since 1985. It was also popularized by the on-site film “Winter Sleep” by Turkish director Nuri Bilge Ceylan, Cannes’ Palme d’Or winner in 2014.

“In a striking landscape shaped by erosion, the Göreme valley and its surroundings host rock-cut sanctuaries (…), troglodyte villages and underground towns, vestiges of a traditional human settlement whose beginnings date back to the 4th century”, the UN agency writes on its site.

But UNESCO also describes a place that would require serious, coordinated management. “Over-tourism and certain acts of vandalism have been reported and some incompatible constructions have been introduced”, it laments. Conservation plans and protection measures exist, but the situation calls for an integrated regional plan with “adequate financial, political and technical support”, the agency adds.

Studies completed in 2003 proposed that the site’s development respect natural zones “as they were declared in 1976”. In September of last year, local authorities took stock of the resumption of restoration work in 2024.

“Cappadocia is a very important destination, but it also has very fragile rock formations”, admitted the head of the site’s managing body, Aydoğan Cem Aslanbay, to the Daily Sabah newspaper. “We are doing everything we can to prevent further degradation.”

He noted that the site attracts roughly 4.5 million visitors each year and generates about $2.5 billion in revenue, drawing tourists from around the world, including hot-air balloon enthusiasts who can soar over this extraordinary landscape.

In 2024, a similar rockfall had occurred without any casualties.

Exod: The App That Turns Players’ Steps Into Donations for Cultural Heritage


Née à Montpellier (Hérault), l’application Exod convertit chaque pas en subvention pour sauver le patrimoine. @exod

CroisiEurope


Developed by GC Tech, the parent company of Génération Voyage, Exod aims to encourage users to discover heritage, especially through walking.

The concept is based on gamification. By walking, visiting places, collecting cards or completing missions, users earn “obols,” a virtual currency. The steps are captured from the phone or a connected watch, then converted within the app.

Each day, between 6 p.m. and midnight, users can participate in a communal collection. At the end of the month, Exod converts the sum into euros and donates it to a heritage restoration project.

« It’s a form of micro-philanthropy, summarizes Sylvain Morel, COO of the platform. The system aims to link a daily activity, walking, with cultural discovery and funding for local projects.»

To boost engagement, Exod draws on several successful games and apps. « We have adopted mechanics that work, such as collection, rewards and missions, but without aiming to give it a childish or fight-based angle», details Sylvain Morel.

Users can notably collect virtual stamps representing historical figures, architects, inventors or even résistants. Each card is accompanied by an anecdote. « The objective is also to transmit knowledge. We learn things without feeling like we’re taking a course », continues the company COO.


An initial donation of 708 euros

To feed its app, Exod has a catalog of approximately 20,000 points of interest in France. Built heritage sits alongside natural heritage: churches, castles, fountains, statues, forests or rivers.

« We already have a substantial base thanks to the work carried out over the past decade by Génération Voyage », indicates the COO. The existing contents are augmented by research on the sites of tourism offices and other online sources.

The platform also intends to involve its community in enriching the catalog. A feature will allow players to propose new places. « Contributions will then be moderated and validated by our team », notes Sylvain Morel.

The first donation made by Exod amounted to 708.24 euros. It was dedicated to renovating the roof of a church in Aveyron. « We try to highlight projects that are not necessarily the most publicized », stresses Sylvain Morel. However, recipients must have a structure capable of receiving donations, notably through the Fondation du patrimoine.

Users also participate in choosing projects. Each week, several operations are organized as a tournament, with selection phases up to the final. This voting system is meant to strengthen players’ involvement and also contribute to the app’s notoriety. « The idea is that users want to have their friends vote and discover Exod, » explains Sylvain Morel.


A business model still under construction


Développée par GC Tech, la maison mère de Génération Voyage, Exod s’appuie sur une mécanique de jeu pour embarquer ses utilisateurs. En bas à droite, Sylvain Morel, COO d’Exod. @exod

To fund its development, Exod is testing several revenue streams. Consent-based advertising is one avenue: users can choose to watch advertisements in exchange for in-game rewards.

The platform also plans to offer paid narrative visits. Users will be able to buy single tickets for 6.99 euros or opt for a pack of ten tickets at 39.99 euros. A premium subscription is also contemplated.

« We want to offer a more advanced experience, with narrative content and routes that allow deeper exploration », explains Sylvain Morel.

In the longer term, Exod aims to develop affiliations with travel and leisure players. The platform is considering collaborations with activity booking sites, such as GetYourGuide, Civitatis or Viator, but also with accommodation and transport providers.

« We look at everything that makes sense for our users, whether it’s booking an activity, a place to stay, or transport », says the COO. Contacts are being considered with brands such as Airbnb, Booking, Transavia or Air France, but these partnerships are still to be built.

The team first wants to stabilize the first version of the app and continue user acquisition. « Our priority is to finish the V1 and reach around 10,000 players before accelerating through the different monetization phases, » says Sylvain Morel.


Towards partnerships with tourism offices


Un mois après son lancement, Exod compte environ 6 000 à 6 500 joueurs et a fait un premier don de 708,24 euros. @exod

In September 2026, one month after its launch, Exod counts around 6,000 to 6,500 players and records more than one million steps claimed daily. The total number of steps is expected to exceed 200 million soon.

To grow its community, the platform relies in particular on the visibility of Génération Voyage, as well as on social networks. It has also entered into its first partnership with the Montpellier tourism office.

« Tourism offices have an important role to play, because they know the places and the stories that must be discovered », says Sylvain Morel. Exod therefore wants to multiply collaborations with institutional and tourism players, in France and abroad.

The app is also beginning to open up to other markets, notably in Greece. For now, it remains available in French, but a translation is planned. « We need to adapt the content and the experience to the countries where we want to develop », emphasizes the COO.

In the long term, Exod intends to broaden its action beyond built heritage. « We would also like to support projects related to wildlife, flora, but also to the transmission of know-how and education », concludes Sylvain Morel. The challenge will now be to transform the platform’s early results into a sustainable business model, while keeping its initial objective: to showcase territories by walking and playing.


Caroline Lelievre Publié par Caroline Lelievre Journaliste – TourMaG.com
Voir tous les articles de Caroline Lelievre

  • picto Twitter
  • picto Linkedin
  • picto email
Ajoutez TourMaG à votre flux Google Actualités Google Actualités icône

Shorelines of the World: The Douro Between Gastronomy and Portuguese Heritage


The Queen Isabel, a Five-Star Cruising Experience

© F. Chavanon

Climats du Monde


Sur le Douro, le bateau occupe une place à part dans l’expérience de voyage. Il permet de parcourir la vallée au plus près des coteaux couverts de vignes et des villages qui bordent le fleuve. À bord du Queen Isabel, l’expérience commence dès l’embarquement car le bateau se trouve au cœur historique de Porto, au pied du célèbre pont Dom Luis I. Avec ses 106 passagers, ce bateau à taille humaine est pensé comme un véritable hôtel flottant, où le confort et la convivialité occupent une place centrale. Il offre une atmosphère intimiste particulièrement adaptée à l’esprit des croisières Rivages du Monde.



© Boris Gavran


One of the most beautiful ships sailing the Douro, the Queen Isabel captivates with the quality of its private spaces. All cabins are exterior, allowing guests to fully enjoy the exceptional setting of the Douro. Depending on their category, they feature a high window, a wide bay window, or a private balcony. The most spacious among them, the Junior Suites, also offer a seating area.


© Queen Isabel


The communal spaces blend places of conviviality and exchange with intimate corners. The panoramic lounge-bar is one of the ship’s top gathering spots. Comfortably settled in a chair, one can enjoy a drink, chat with other passengers, or simply take in the scenery. The restaurant welcomes travelers in an elegant and warm setting. Meals are served in a single service, a scheme that helps preserve the convivial character of life aboard. The Sun Deck invites relaxation, too. Around the pool, the loungers let guests enjoy the Portuguese climate in a laid-back atmosphere. A gym and a massage area complete this wellness offering. The Queen Isabel also offers on-board lectures to better understand Portugal’s history and culture. Everyone can thus find their pace on board and choose their ambience, between culture and relaxation, according to what they feel like at any given moment.




An All-Inclusive Itinerary, with Francophone Lecturer-Guides Aboard


© Mardym - dreamstime

A Douro cruise takes on its full meaning when it enables understanding the regions traversed. This is why the itinerary cannot be separated from the cultural accompaniment that Rivages du Monde offers. For the Douro tells not one story. It tells the story of the Romans, of Germanic peoples, of the Christianization, of the development of towns, of viticulture, of commercial exchanges and of the construction of contemporary Portugal. The presence of on-board guides constitutes a real mark of quality. Their mission is to ensure a high-level cultural service, giving travelers the keys they need to understand the sites visited.



© Queen Isabel

This cultural approach, Rivages du Monde’s hallmark, is especially important on such a dense itinerary. Each stop thus offers a different light that the onboard conferences proposed to put into perspective. They provide privileged moments to prepare a visit or revisit what has just been seen. The journey thus grows richer as knowledge accumulates.

With Rivages du Monde, the all-inclusive formula also allows travel with complete serenity. The main excursions are included in the program and the support is provided by specialists of the destination.


Braga, the Rome of Portugal, Seen by Our Lecturer

The visit to Braga is one of the highlights of this itinerary, and an Rivages du Monde exclusive. As explained by the historian and lecturer Victor Pereira, Braga, the Rome of Portugal, is a city particularly rich in its religious heritage and long history. “With its many churches, its Baroque sanctuary, its cathedral, and a melding of Roman, Gothic, and Baroque styles”, it offers a remarkable condensation of Portuguese history. Founded in Roman times, Braga later became the capital of the Suebi, before establishing itself as a major center of Portuguese religious life.



© Mikeltrako - Dreamstime


« Braga a été le centre de la vie religieuse portugaise jusqu’au XXe siècle », rappelle Victor Pereira. Dès le VIe siècle, un évêque contribua à la conversion des Suèves, des Wisigoths et des populations locales au christianisme. Cette histoire se lit encore dans les vestiges romains, les temples, les thermes, les jardins et surtout dans la cathédrale, qui abrite, selon l’historien, « l’une des plus belles statues de Vierge de la péninsule ibérique ».

Mais Braga n’est pas seulement tournée vers son passé. Victor Pereira souligne également qu’il s’agit d’une « très belle ville, universitaire, très jeune ». Une dimension contemporaine qui vient compléter un patrimoine exceptionnel et donne à cette étape toute sa richesse : celle d’une ville où près de deux millénaires d’histoire dialoguent avec une cité vivante et dynamique.

Au fil du Douro, Rivages du Monde propose ainsi une expérience de croisière où le confort du Queen Isabel, les plaisirs de la table et la richesse des escales se complètent. Une manière authentique et approfondie de découvrir le Portugal, entre patrimoine, traditions, paysages et art de vivre.


For Inquiries


Rivages du Monde : le Douro entre gastronomie et patrimoine portugais
Reservation :

01 49 49 15 50

[email protected]

Commercial Management :

Sarah CORTES MARTIN

[email protected]


What Is the History of European Heritage Days?

The must-attend event of the autumn season, the European Heritage Days attract millions of visitors each year. The event, which will unfold across the country next weekend, marks its 40th anniversary this year. Before lifting the veil on the highlights of this new edition (which we will detail here tomorrow), here is a look back at the origins of the event.

In 1984, Jack Lang, then Minister of Culture, imagined a large “Open Doors Day of Historic Monuments” at a national scale. His objective? To reveal to the greatest number and across the entire country the richness of French heritage through unprecedented appointments, visits, and exceptional openings.

A French invention that became European

But from its second edition in 1985, Jack Lang wished the event to become European, convinced of the major place accorded to cultural heritage by the Council of Europe. The latter works to promote diversity and dialogue around Europe’s common heritage through three axes: its conservation, its protection, and the enhancement of heritage.

In 1992, the event was renamed the “National Heritage Days.” From 1993 onward, 34 European countries joined the event, allowing the public to visit more than 26,000 monuments. In 2000, the event took on its final name of “European Heritage Days.” Or “JEP” for insiders. By then, more than 40 countries participated, making the JEP one of the first major international cultural manifestations.

Abroad, the event is known as Heritage Days. Soon, other countries around the world joined the lineup, such as Turkey and Taiwan. By 2010, there were now 50 states organizing the event, from the Vatican to Portugal, from Belarus to Moldova, to Malta or Saint Martin.

Who organizes the European Heritage Days?

In France, the event was initiated by the Ministry of Culture and its Directorate of Cultural Heritage. The event is also implemented by the territories and the DRACs (Directions Générales des Affaires Culturelles). Throughout the country, private associations join the venture.

At the European level, however, it is the Council of Europe and the European Commission that oversee the JEP.

A large number of the visits organized within the event are free, and private establishments mostly offer reduced-rate options.

What to see during the European Heritage Days?

More than the number of participating countries, the European Heritage Days attract with the variety of sites they open to the public. Civil or religious monuments, agricultural and industrial heritage—the offering is vast, which allows, beyond the places and buildings involved, the spotlight to be cast on the know-how and crafts of those who work there.

Each edition of the event also highlights one or more themes. Cinema, literature, citizenship, sciences, protection, travel, youth, education, sustainability…

France Heritage Pass: Visit 500 Heritage Monuments

This pass, which had been announced in June by Culture Minister Catherine Pégard, is being implemented on the occasion of Heritage Days, which take place on Saturday, September 19 and Sunday, September 20. The objective is to “encourage more and more French people to discover their heritage” and to “generate resources thanks to these new visitors,” the Foundation stated in a press release.

Partner sites will receive on average 80% of their full price, it is specified. The future members of the Foundation “will be able to access renowned sites such as the Versailles Palace, the Chambord national domain, the Château de Fontainebleau, the Château de Vaux-le-Vicomte, the Hospices de Beaune“, according to the press release.

Less well-known or more original sites will also be accessible, such as the Ernest Renan House (Côtes-d’Armor), the Château de Villandraut (Gironde), the Château de Javarzay (Deux-Sèvres) or the Four des Casseaux (Haute-Vienne). “There are on average five sites per department”, explains AFP’s Alexandre Giuglaris, the Foundation’s chief executive.

Passes adapted to different profiles

Four annual membership options are offered: €78 for one person, €114 for two people, €138 for a family with one adult, and €175 for a family with two adults.

The pass is notably aimed at “less affluent” audiences, according to Alexandre Giuglaris.

Ephemeral visits, conferences and concerts will also be proposed. The Foundation, founded in 1996, claims to have helped “save, restore and transmit more than 46,487 projects across metropolitan France and overseas.” It counted 1,500 members last year, before the launch of the pass.

European Heritage Days 2026: Discover Paris Museums in a New Way


Les musées de la Ville de Paris ouvrent leurs portes gratuitement les 19 et 20 septembre 2026 - Depositphotos.com, D.serra1

MSC Croisières


The City of Paris Museums will participate in the 43rd European Heritage Days, on Saturday, September 19 and Sunday, September 20, 2026.

On this occasion, the institutions will offer the public a program that is free of charge, structured around the two national themes: the Bicentennial of Photography and Heritage at Risk: Revive, Resist, Reimagine.

Over two days, visitors will rediscover the collections and the buildings of Parisian museums through formats specifically designed for the event.

The program also aims to highlight conservation professions, the know-how related to heritage, and new forms of mediation.


La photographie à l’honneur

In the framework of the bicentennial of photography, several institutions will offer sessions devoted to the history and techniques of photography.

At the Museum of the Liberation of Paris – General Leclerc – Jean Moulin, an urban trail will allow visitors to follow in the steps of Robert Capa and revisit sites associated with his famous photographs of the Liberation of Paris.

A meeting with Thomas Consani, an artist-printer at Picto, a historic laboratory of Robert Capa, will also allow discovery of the techniques and know-how linked to analog photography.

At the Zadkine Museum, visitors will be able to experiment with the cyanotype, an ancient photographic process, notably by creating a cyan herbarium or by printing a sculpture preserved in the collections.


Le patrimoine face aux nouveaux usages

The second theme of this edition, dedicated to heritage at risk, will be addressed notably through experiences aimed at renewing the relationship between the public and the collections.

The Cernuschi Museum will partner with the company Aika to present “Like a Wheel Within a Wheel“, an immersive virtual reality experience. This proposal intends to offer a contemporary reading of the works and heritage narratives. A meeting with curator Martina Köppel-Yang and the Aika team will allow dialogue on the issues of this approach.

At the Petit Palais, a giant scavenger hunt will invite participants to solve puzzles related to threats facing the museum and its works. An opportunity to discover, in a playful way, the behind-the-scenes of conservation and the various professions that contribute to preserving the collections.

The European Heritage Days will also be an occasion for families to discover the collections through hands-on engagement.

At the Zadkine Museum, workshops and interactive tours will notably allow exploring some emblematic works, such as The Bird with the Golden Plumage or The Head with Lead Eyes. The Bourdelle Museum will, in turn, offer activities around modeling, drawing, and working with materials.

At the Museum of the Liberation of Paris, children will be able to make their own diorama dedicated to the Liberation of Paris, guided by a lecturer. Family-friendly guided tours will also enable a playful revisit of the Liberation events and the Rol-Tanguy mission.


Musique, littérature et arts vivants au musée

The program will also bring the collections into dialogue with music, literature, and live performing arts.

At the Bourdelle Museum, the company Les Folies du temps will perform Beethoven’s Serenade Op. 8, while musical tours will offer another reading of Antoine Bourdelle’s works. At the Cognacq-Jay Museum, cellist Zoé Saubat will bring to life pieces by Bach and Marin Marais in the museum’s courtyard.

The Maison de Balzac will host several meetings around La Comédie humaine. Historian Judith Lyon-Caen will address the political dimension of Balzac’s work, while historian Jean-Claude Caron will explore the role of smells and perfumes in the writer’s universe.

At the Musée d’Art Moderne de Paris, artist Pascal Beugré Tellier will present Parlons masculin, a performance in dialogue with Kerry James Marshall’s work.

The Musée de la Vie romantique will host, for its part, students from the Conservatoire à rayonnement régional de Paris – Ida Rubinstein for a program devoted to Chopin, Brahms, Wagner, and Liszt, as well as a performance by the company Les Dramaticules around European and world heritage tales.


Architecture, conservation et savoir-faire

Visitors will also have access to proposals focused on the architecture of museums, their collections, and the crafts that contribute to their preservation.

All of the European Heritage Days programming in the City of Paris museums will be freely accessible on 19 and 20 September 2026, subject to the rules of each establishment.

Practical information and schedules are available on Paris Musées and on the sites of the various museums.


Saudi Arabia: Asir’s Forgotten Heritage Reborn in Color

Summary


  • A unique way of life


  • A refreshed tradition


  • Saudi soft power backed by substantial budgets


  • Archaeologists, building engineers and historians are mobilized


  • Over 1,200 motifs catalogued

Leaning on a velvet bench carved with arabesques, Abdulaziz Abu Sarrah enjoys the coolness of the mud-brick walls in this hot October month. The long room opens onto the majestic sight of the Sarawat mountains and the terraced fields at their base. In Abdulazziz’s loggia, the beams are made of juniper wood, and the earth-wall bases are painted emerald green, framed by blue, red and yellow lines on a white background.

A setting that breathes tradition, matching the rest of the vast palace his ancestor, Sheikh Laheg bin Ahmed Abu Sarrah, built around 1835 in the village of Al-Azizah, in southwestern Saudi Arabia.

A unique way of life

“The whole world thinks Saudis are nomadic Bedouins who lived only under tents, but here we have long since developed an architecture and a way of life that are different from the rest of the kingdom”, explains a 48-year-old physics professor who wears the traditional Saudi attire: thobe (long robe) and ghutra (headscarf) secured by the agal (the black cord).

Abdulaziz restored, in 2020, the imposing family building rising 28 meters high (the equivalent of an eight-storey structure), reviving it after more than four decades of abandonment. He is among the first in the region to embark on such an undertaking. A decision born of the “urgency,” he says, to rescue this exceptional heritage, one of 16,102 traditional houses recorded to date in the Asir province. Most of them were neglected after the 1973 oil shock: in the suddenly oil‑rich kingdom, many families preferred the comfort of modern dwellings to the old homes, witnesses to a multi-centennial art of living.

D-Day Beaches and Mount Olympus: 25 New UNESCO World Heritage Sites

Meeting in Busan, South Korea, the UNESCO World Heritage Committee has approved the inscription of 25 new sites on the World Heritage List, Time Out reports on Monday, July 27. Nineteen of these are cultural properties, five are natural sites, and a single one is classified as “mixed,” celebrated here for its significance both historically and environmentally. The organization notes that these places now enjoy a “permanent recognition of their importance,” a status designed to safeguard them over the long term. France gains two additional inscriptions with the Normandy D-Day beaches, which include Utah, Omaha, Gold, Juno, Sword, Pointe du Hoc, the Atlantic Wall, and the American Cemetery at Colleville-sur-Mer. The Capetian fortresses of Languedoc also join the renowned roster.

The French inscription is complemented by other cultural sites, such as Alamut Fortress in Iran, the Buddhist site of Sarnath in India, the ancient capitals of Asuka and Fujiwara in Japan, the modernist hub of Gdynia in Poland, the Jingdezhen porcelain workshops in China, the modernist architecture of Tashkent in Uzbekistan, the troglodyte mosques of Mangystau in Kazakhstan, and the theatres en condominio in Italy.

The medinas of the former sultanates of the Comoros, the former plantations of São Tomé and Príncipe, the village of Sidi Bou Said in Tunisia, the Thai temple Wat Phra Mahathat, the theatres of the Brazilian Amazon (La Paz and Amazonas), and the cemeteries of the Xiongnu nobility in Mongolia also figure among the newly recognized sites.

Italian Theatres, a Turkish Village…

Among the other distinguished cultural sites are Alamüt Fortress in Iran, the Buddhist site of Sarnath in India, the ancient capitals of Asuka and Fujiwara in Japan, the modernist center of Gdynia in Poland, the Jingdezhen porcelain workshops in China, the modernist architecture of Tashkent in Uzbekistan, the troglodyte mosques of Mangystau in Kazakhstan, and the theatres in condominium settings in Italy.

The medinas of the former sultanates of the Comoros, the former plantations of São Tomé and Príncipe, the village of Sidi Bou Said in Tunisia, the Thai temple Wat Phra Mahathat, the theatres of the Brazilian Amazon (La Paz and Amazonas) and the cemeteries of the Xiongnu nobility in Mongolia.

Three Emergency Listings

The only mixed site in this edition is Mount Olympus in Greece. Known in myth as the home of Zeus and the twelve gods, the country’s highest peak is also recognized by UNESCO for its biodiversity. “Olympus is the mountain that, through Homer’s epics and ancient Greek literature, carried Greek mythology and Greek civilization into the world,” commented the Greek government after the announcement.

The five newly inscribed natural sites are the Aqaba Marine Reserve in Jordan, the Okefenokee National Wildlife Refuge in the United States, the western Limfjord fish fossils in Denmark, and the Wadi Wurayah National Park in the United Arab Emirates.

Moreover, this 2026 batch is marked by several emergency listings. Directly threatened by ongoing conflicts around the world, the castles of Mount Amel in Lebanon, Sebastia in Palestine, and the Boma-Badingilo migratory landscape in South Sudan underwent an extraordinary procedure that led to their inscription.

Why the D-Day Beaches and Cathar Castles Were Inscribed on the UNESCO World Heritage List

The Normandy D-Day beaches and the Royal Fortresses of Languedoc in the south of France, better known by their former name ‘Cathar Castles’, were inscribed on Sunday as UNESCO World Heritage.

Across just over 80 km of coastline, between the Manche and Calvados departments in the northwest of France, the Allied D-Day beaches of June 6, 1944 were the scene of a decisive battle to liberate Europe from Nazism and bring World War II to an end.

These beaches “are directly and physically associated with the Landing (…) which played a decisive role in the liberation of Western Europe from Nazi occupation”, recalled a representative of UNESCO’s International Council on Monuments and Sites (Icomos) at the session in Busan, South Korea. This ensemble of sites “symbolically commemorates the immense human sacrifice that was made to overturn an authoritarian occupation deeply rooted in Europe”, she continued.

The nomination concerned the five D-Day beaches known by their code names Utah, Omaha, Gold, Juno and Sword, but also Pointe du Hoc, site of decisive fighting, the German Longues-sur-Mer artillery battery, and the artificial port of Arromanches-les-Bains, known as Port Mulberry, made up of enormous concrete caissons built in England to facilitate Allied logistics.

Numerous military cemeteries and commemorative monuments are associated. “We’re super happy, because we didn’t believe it would happen”, said AFP to the president of the Normandy Region, Hervé Morin, who was present in Busan for this bid launched in 2006. “There is no more prestigious label than this” he praised, estimating that it could bring 20% more tourists to the sites. “An immense pride for Normandy and for France!” rejoiced the Minister of the Armed Forces, Alice Rufo, on X.

Two inscriptions, two histories that marked France

The president of the Aude department, Hélène Sandragné, also welcomed UNESCO’s listing of the Royal Fortresses of Languedoc, calling it a “lever” for tourism and economic development. “It will increase our attractiveness and Aude needs it”, she told AFP.

Often perched atop steep rocky crags, the eight fortresses, including Montségur in Ariège and Peyrepertuse or Quéribus in Aude, were built after the Albigensian Crusade (1209-1229), when part of Languedoc fell under royal domain.

Some of these sites had previously served as refuges for the Cathars accused of heresy. With these fortresses, the King of France aimed to keep an eye on the local population still deemed dissident and to monitor the Kingdom of Aragon, located just a few tens of kilometers from Quéribus or Peyrepertuse.

The fortresses were administered by a seneschal based in the Cité of Carcassonne, itself rebuilt at the same time and already inscribed on the World Heritage list in 1997. Considered as an “central element of the defensive system”, its castle and ramparts are also part of these eight monuments now on UNESCO’s list.

“These fortresses attest to the exceptional adaptation of military architecture to topographical constraints and the emergence of new forms of territorial organization by the French monarchy”, UNESCO said.

“Irony of history, these fortresses which yesterday broke the rebellious ardor of the people of Languedoc will give them a new momentum tomorrow” also declared Mrs. Sandragné, who sees in this distinction an asset for the “preservation and restoration” of these citadels.

For Fabrice Chambon, a guide at Montségur castle, where more than 200 “heretics” were burned in 1244 before the fortress we visit today, the erasure of the word “Cathar” has “moved quite a few people”. A petition by opponents to this renaming was signed by nearly 9,400 people.

With these two new sites inscribed on the World Heritage list, “France now has 56 UNESCO-listed properties. It is a pride, but also a responsibility”, said the Culture Minister Catherine Pégard to AFP.