The Best Festivals in Southern Italy


Noto Infiorata

© Istock

Hurtigruten


L’Infiorata di Noto is an emblematic event in Sicily, though it is a relatively recent festival in the Syracuse region, it traces its roots to the 17th century, when in Rome streets and churches were already decorated with flower petals, notably for the religious feast of Corpus Domini; these floral arrangements symbolized beauty, faith, and impermanence.

In Noto, the first Infiorata takes place in 1980. It is organized by local artists who aim to showcase the town and its exceptional Baroque heritage. They choose the famous Via Nicolaci, a sloping street lined with palaces, ideal for hosting large compositions visible in perspective.

This wonderful flower festival stands out for its artistic approach; each year the artists agree on a new main theme: in 2026, the organizers focus on a theme celebrating “popular culture and its history,” with the participation of artists from around the world; this renowned Via Nicolaci will be flooded with tributes to 20th-century icons, with references to music, cinema, fashion, and more…

Having become a must-attend event, today this festival attracts many visitors, drawn by both its authenticity, its family spirit, and its strong tourism appeal



© Shutterstock

The Sardinian Cavalcade

In Sardinia, at the start of spring, a remarkable festival unfolds in the city of Sassari: the Sardinian Cavalcade, literally “the Sardinian ride.” This event showcases the island’s rich folklore through a unique spectacle that blends tradition and local identity.

Tracing its origins to the late 19th century, this celebration was first organized in 1899, on the occasion of the arrival of the King of Italy to the island. To mark the event, groups from across Sardinia paraded in traditional costumes, accompanied by riders, delivering a display of great cultural richness.

This parade, highly appreciated by both royalty and locals, left a lasting impression. Its success led to the lasting anchoring of the Sardinian Cavalcade in local traditions, becoming over time a must-attend annual gathering in Sassari.

During this festival, participants wear traditional outfits called costumi sardi, with each detail varying by village and region. These costumes, richly embroidered and often accompanied by specific headdresses such as the velo or the copricapo, reflect local identity and ancestral traditions. The riders themselves participate in the famous pariglie, spectacular equestrian demonstrations during which they execute acrobatic moves at full gallop. These practices, passed down from generation to generation, help make the Sardinian Cavalcade a living testament to Sardinian cultural heritage.



© Luca Margheriti

Luminarie of Apulia

It is difficult to speak of southern Italy without mentioning the fascinating region of Apulia. Long isolated due to its challenging access that requires crossing the entire peninsula, the “heel of the boot” remains a true historical crossroads, where civilizations and commercial exchanges have left a profound mark. Greeks, Byzantines, Normans and Spaniards have left an indelible imprint, still visible today in local heritage and folklore.

Today, patron saint festivals occupy a central place in the lives of locals as well as visitors. Each summer, in the Salento area, a centuries-old tradition is especially highlighted: the luminarie.

These multi-day festivities rely on a highly precise artisanal craft. Towns adorn themselves with impressive wooden structures, completely covered with thousands of colored lights, forming true works of art inspired by the local Baroque style. This light show is complemented by music, traditional dances, and religious processions, creating a unique and deeply immersive atmosphere.

Among the most emblematic celebrations is the feast of Santa Domenica in Scorrano, regarded as the world capital of luminarie. They are followed by the feast of Santa Maria di Leuca, the celebration of Sant’Oronzo in Ostuni, and finally the feast of San Giuseppe in Lecce, which closes this cycle of celebrations dedicated to the patron saints of each locality.

Through these celebrations, the entire cultural wealth and the soul of Italian traditions express themselves. Rooted in their territory, they tell a story of transmission, local pride, and collective passion.

Between ephemeral creations, traditional costumes, and luminous stage design, these events offer far more than a mere show: an authentic immersion into the heart of regional identities.

Such unique experiences remind us that Italy is lived through both its traditions and its landscapes, close to its people.

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Les plus belles fêtes du Sud de l’Italie
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Italy: Verona Is Worth More Than the Romeo and Juliet Legend


Vue générale de Vérone. © Deposit Photos.

Hurtigruten


No. 23, Via Cappello is never quiet.

It is here that Juliet Capulet, Romeo Montague’s passionate lover, is believed to have lived, two Verona youths whose story ends in tragedy due to the hatred between their two families.

Poignant, this tragic love story is nevertheless fictional. The “Juliet’s House” is not much more authentic. Indeed, it is a 14th‑century Gothic dwelling, but the balcony Roméo is said to have climbed was added in the 20th century, as is the bronze statue of Juliet in the courtyard.

This does not stop tourists from flocking there, as the “Lovers of Verona” have been captivating figures since, in 1596—a couple of centuries after the alleged events—the English playwright William Shakespeare made them the heroes of one of his most famous plays.


A Legend in Solid Gold


La maison et son balcon rajouté au XXe siècle; la statue de Juliette ; dans le petit musée installé dans les étages, le lit des "amants de Vérone" utilisé en 1969 par Franco Zeffirelli pour son film Roméo et Juliette. Photos PB. Composition générée par IA.

This drama did not originate from Shakespeare’s imagination: the story reached him after nearly a century’s journey, across Italy, France, and England, and through the hands of at least five different writers.

It was a certain Luigi da Porto who, first (the date is 1531), placed the plot in Verona. Reading Dante’s Divine Comedy, he learned that the Renaissance poet explicitly cited the Montecchi (Montagues) and the Cappelletti (Capulets) to illustrate the political struggles between rival families that stained medieval Italy, Verona in particular.

It is from these history-laden names that Da Porto and, in his wake, Shakespeare wove this story which, after them, inspired numerous books, films and performances. As for the city of Verona, it leans into this legend to boost its tourist appeal…


Two thousand years of history


Les arènes de Verone. Le théâtre antique. Le pont romain qui enjambe l'Adige. Seules ses premières arches sont d'origine. Photos PB. Composition générée par IA.

Although Juliet’s House is almost obligatory on the itinerary (15 € entry, all the same), Verona deserves to be explored for many other reasons that make one regret the myth’s heavy prominence.

Indeed, in this Northern Italian city founded by the Romans over 2000 years ago, everything is beautiful: pink marble (sourced from Valpolicella, a region best known for its wines) and the bricks used for so many palaces, the colorful façades, the carved window and door frames, the ornate balconies, the fountains, the squares, the courtyards, the countless churches…

From its origins, Verona preserves many Roman remains, two gates, part of the ancient ramparts, its Ponte Pietra spanning the Adige river, and of course its ancient open-air theater perched against San Pietro hill: rediscovered in the 19th century after centuries of neglect, it hosts a Shakespeare Festival every July, while the contiguously located former monastery San Girolamo houses a rather interesting archaeological museum.

And then, on the imposing Piazza Bra, there are the Arenas which, every summer, draw in lyric artists and opera lovers from around the world.


Verona: the jewels of Piazza delle Erbe


La tour des Lamberti. La place aux herbes, la fontaine Madonna et au fond, le palais Maffei. Vue des toits de Vérone depuis la tour des Lamberti. Photos PB. Composition générée par IA.

Verona today blends historic charm, cultural energy and the Italian art of living to perfection.

If, on Piazza Bra where the Arenas stand, you can admire a few palaces (Barbieri Palace, Gran Guardia Palace) before sitting under the arcades, on the prestigious Piazza delle Erbe you are spoilt for views, even though souvenir and ice cream vendors and fresh fruit stalls slightly spoil the perspective.

This square sits at the site of the ancient Roman forum and right at the intersection of the two main arteries that formed the grid of the ancient city: one axis, running east-west, connected Venice, Milan and France; the other, north-south, linked England to Rome and was long used by merchants from northern Europe.

A major commercial crossroads of northern Italy since antiquity, Verona remained so in the Middle Ages: witness the red-brick Domus Mercatorum, also called Casa dei Mercanti (House of Merchants), built in 1301 at a corner of Piazza delle Erbe.

This square is surrounded by so many magnificent historic buildings that you can almost get dizzy: Gardello Tower, completed in 1370, housing one of Europe’s oldest public clocks; right next to it, Maffei Palace, with a Baroque façade and a balustrade adorned with statues of Greek gods; then, the Mazzanti Houses decorated with splendid 16th-century frescoes; finally, Palazzo della Ragione (Palace of Reason, seat of medieval justice).

Adjacent to this palace rises the Tower erected by Verona’s wealthy noble family, the Lamberti. About 300 steps lead to its panoramic terrace (84 meters) from which the view over Verona’s rooftops is sublime. Don’t worry—the elevator is available!

In the middle of the square, the Madonna Verona fountain has displayed since 1368 its elegant red marble and its Roman statue.


At the Heart of the Medieval Struggles


Place de la Seigneurie. Complexe funéraire gothique de la dynastie des Scaglieri. Statue de Dante Alighieri sur la place de la Seigneurie. Photos PB, composition générée par IA

Two steps from the Piazza delle Erbe, the Piazza della Signoria — the political heart of the medieval city — houses a statue of the poet Dante, who took refuge in Verona after his exile from Florence.

All around, elegant palaces — linked together by arcaded galleries and loggias — speak of the splendor of the past. Among them, the former Residence of Cangrande I della Scala, the most prestigious figure of the powerful Scaligeri family, who, after a merciless struggle, seized power in Verona in 1262 and made it a prosperous city.

After the Scaligeri lost power in 1387, Verona lived under other dominations, notably that of the Republic of Venice (hence the column bearing the Lion of Saint Mark on Piazza delle Erbe): begun in 1405, this period ended in 1797 with Napoleon Bonaparte’s occupation during his Italian Campaign, which led to Verona’s… alignment with Austria.

Just a few steps from the Piazza della Signoria, right beside Santa Maria Antica, a Gothic funeral complex leaves one astonished: lay in marble sarcophagi the principal figures of the Scaligeri dynasty. That of Cangrande I is topped by a magnificent equestrian statue!


Four churches not to miss


The Capitular Library, a genuine treasure


La salle principale de la Bibliothèque capitulaire. Liniature de Saint-Jérôme illustrant un manuscrit du XIVe. Détail (reproduction) du Palimpseste de Gaius. Photos PB. Composition générée par IA.

The most extraordinary jewel, nonetheless, is the Capitular Library, housed in the canonical palace just to the left of the Duomo!

Now managed by a Foundation, it was originally the study library of the Cathedral’s Chapter of canons.

“Founded 1600 years ago, it is, insists Valeria Nicolis, the conservator, the oldest library still in operation in the world”. It houses 700 rare works of art, 1200 manuscripts and 100,000 printed books, ancient and modern, spanning disciplines from theology and history to philosophy, literature, law, medicine, botany and astronomy. The main hall, with shelves from floor to ceiling, holds no fewer than 15,000 volumes.

Its most precious treasures are manuscripts, including major and unique pieces, notes Valeria Nicolis.

The oldest (the Codex Ursicinus) dates from 517! The Indovinello veronese is, itself, the oldest testimony of the transition between Latin and the vernacular Italian language. Finally, the Palimpsest of Gaius is the only text we have that attests to the foundations of classical Roman law.

No wonder scholars from around the world come to study there on site (possible since 2023)!

The general public, meanwhile, swoons over manuscripts adorned with delicate illuminations: some are displayed for a few weeks in hermetically sealed cases (temperature and humidity controlled), before a long return to the depths of the archives. Seeing originals is such a rarity!


A city terrifically alive


Créés au XVIe pour la famille Giusti, ces jardins en terrasse constituent l’un des exemples les plus aboutis de l’influence de la Renaissance italienne. Photos PB. Composition générée par IA.

Although all these marvels leave little room for doubt, Verona is above all a city where life is good, to stroll, to savor specialties (risotto all’Amarone soaked in wine, gnocchi, sweet Pandoro…), or simply to sip an espresso or a spritz on the numerous terraces of Piazza Bra and Piazza delle Erbe! Even shopping in the charming shops of Via Mazzini, Corso Porta Borsari or Via Rosa.

It is also pleasant to cross the Adige to explore, on its left bank, the Giusti Palace garden — one of the finest Renaissance-era parks — and the Veronetta student district, peaceful in the summer when the city center is buzzing.

This Verona escape ends on a high note if you ascend—though you can take the funicular!—to Castel San Pietro’s belvedere. Perched on a hill, this former fortress offers an unforgettable view of Verona, especially at sunset. It is also an ideal starting point for strolling along the old ramparts or across the surrounding hills.


PAULA BOYER Publié par Paula Boyer Responsable rubrique LuxuryTravelMaG – TourMaG.com
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Verona, Italy: The World Capital of Opera


Représentation de Carmen aux Arènes de Vérone © EnneviFoto

Hurtigruten


At the Verona Arena, opera enthusiasts often come seeking spectacular stagings and grand international voices. This year again, for the 103rd edition of the Festival of Lyric Art, they were well served!

At first glance, the contemporary staging of Nabucco (Verdi’s opera) conceived by the Italian Stefano Poda sometimes raised concerns: thus on August 8th, not all the seats were taken, while the following evening they were packed for Aïda (also Verdi) presented through Franco Zeffirelli’s monumental and historical staging, with luminaries of the lyric art such as the Franco-Italian tenor Roberto Alagna.

Nevertheless, this Nabucco ultimately won over the audience. Beyond its bold staging, Foda handled the sets (pared-down), the costumes and the lighting. A holistic approach.


Verona: a Nabucco full of surprises


Un décor plein de lumière pour le Nabucco de Foda © EnneviFoto

Far from the classic historical recreations of the clash between the Hebrews and the Assyrians that underpin Nabucco, Foda’s staging was rich with symbols, surprises, and special effects.

In terms of scenery, two mobile luminous half-spheres; and also a structure imitating an ancient water clock dominated by the word “Vanitas” from which descended a grand staircase. The staircase periodically gave way to a light cascade, a symbol of the hubris that leads humanity to its downfall.

The audience’s reactions (shouts and applause) were sometimes startling. In particular when a spectacular nuclear explosion, with a mushroom cloud, sounded just as the Babylonian king Nabucco, struck by lightning, plunged into madness after proclaiming himself a god.

Throughout the evening, the choreography of the extras and dancers (in sometimes fluorescent costumes), clocked to the millimeter, perfectly matched the music.

Regarding the famous slave chorus (“Va, pensiero”), impressive in its cohesion and power, it faithfully captured the Hebrews’ longing for freedom.

The principal performers were also of exceptional quality, especially the Italian soprano Marta Torbidoni (as Abigaïlle), the Russian bass Alexandre Vinogradov (as the High Priest of the Hebrews) as well as the German mezzo-soprano Anna Werle who sang Fenena. By contrast, despite his vocal gifts, the South Korean baritone Youngjun Park did not always render the Babylonian king convincingly.


An exceptional setting


Vue intérieure et extérieure des Arènes de Vérone © PB

In any case, this Nabucco reaffirmed Verona’s status as a must-visit for opera lovers.

Its antique Arènes, extraordinary in scale, aim to serve this ambition: completed in 30 CE, originally equipped with three concentric walls, they are the third-largest in the world after the Colosseum in Rome and the Amphitheatre in Capua.

Located on Praça Brà, in the city center, they are among Italy’s best-preserved ancient edifices.

True, the violent 1117 earthquake did cause significant damage, notably destroying much of their outer third wall. But since the 16th century, they have benefited from several restorations.


Since 1913, they have hosted the Lyric Art Festival in the summer, and the rest of the year host concerts and events such as the arrival of the final stage of the Giro d’Italia.


During the day, they are open for visits (12 €, excluding reduced rates). A chance not to miss to appreciate the expanse of the cavea, the height of the upper tiers, and the breadth of the internal galleries. Be aware, in summer, book in advance!


Past as a circus, today as an opera stage


Pour Aida, une reconstituon grandiose de l'Egypte des Pharaons © Heads Collective

In the past, these Arenas could welcome all of Verona’s inhabitants. Circus games and gladiator combats also drew crowds from across Veneto.

Now, these Arenas enjoy incredible prestige with a knowledgeable audience eager to hear the world’s greatest voices: in the past Maria Callas and Luciano Pavarotti; today Anna Netrebko, Jonas Kaufmann, Ludovic Tézier, Roberto Alagna and many others… Yet the vast space (over 20,000 seats), its distinctive acoustics, and the requirement to sing outdoors pose a demanding vocal challenge.

Paradoxically, the renowned Franco-Italian tenor Roberto Alagna did not sing there for the first time until July 2022 (as Don José in Carmen), but since then he has returned regularly. This summer, he embodied Radamès, the hero of Aida, Verdi’s opera, for two evenings.

Created in 1871, this work is one of Verona’s fetish titles: has it not been revived for 63 seasons, totaling 749 performances?


An Aida that succeeds, though a touch grandiloquent


Toujours pour Aida, des costumes chatoyants © Heads Collective

For this 2026 edition, Aïda was presented in Franco Zeffirelli’s staging. The contrast was at least striking with Foda’s more minimalist approach for Nabucco! Yet Verona’s genius lies in drawing in directors with very different styles and in pleasing audiences just as varied.

In any case, this production once again stood out for its grandiose reconstructions of ancient Egypt, its pharaonic sets (so large that they had to be stored outside the Arenas and a crane used to install them!), its golden pyramids, its shimmering costumes, and its expansive crowd scenes…

On August 9, despite the oppressive heat not doing it any favors, Roberto Alagna performed Radamès, the victorious commander of the Egyptian army, with fervor, alongside his wife, Polish soprano Aleksandra Kurzak, who portrayed the Ethiopian princess Aida, enslaved by Egypt.

The generosity and on-stage chemistry of this couple shone through their portrayal of the impossible and tragic love at the heart of their characters. They delivered memorable emotional moments—vigorous applause—along with Alagna’s courage and mature performance, notably in the first act with the aria Celeste Aida (long applause), which helped mask some minor fatigue in the higher registers.


Hyatt Announces Three New Openings in Italy


Hyatt Hotels Corporation annonce trois nouvelles ouvertures en Italie - Photo : Hyatt Hotels Corporation

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Hyatt Hotels Corporation continues its expansion in Italy with the announcement of three new openings in Rome and Taormina.

These projects, representing a total of 428 additional rooms and suites, notably mark the arrival of the Hyatt Regency and Thompson Hotels brands on the Italian market.

Already present in the country through six properties spread across Milan, Venice, Rome, Florence and Sardinia, Hyatt aims to strengthen its position in one of Europe’s leading tourist markets.

The group says it has quadrupled the capacity of its Italian portfolio since 2019 and plans to continue its expansion, as more than 40 openings are scheduled in Europe in the coming years.


Two New Brands in Rome

The first announced opening concerns the upcoming Hyatt Regency Rome Central, with the inauguration planned for the end of the third quarter of 2026. Located near the Rome-Termini station, the property will primarily target business travelers, meetings and events.

This 238-room and suite hotel will notably offer a rooftop pool, a Pool Bar and the Niroma restaurant, inspired by Asian cuisine. It will be the first Italian property under the Hyatt Regency brand, which is already present in more than 240 hotels and resorts worldwide.

A few months later, in the fourth quarter of 2026, Hyatt also plans to open the Thompson Rome. This property will mark the lifestyle brand’s debut in Italy.

Housed in a renovated historic building near the Colosseum, the Roman Forum and the Piazza Venezia, the hotel will count 69 rooms. Three dining spaces are planned, including a sixth-floor restaurant inspired by the Italian Riviera as well as a rooftop cocktail bar.


A Second Park Hyatt in Italy

In the longer term, Hyatt plans the opening of the Park Hyatt Taormina in 2028. This property will become the second Park Hyatt hotel in Italy, after Park Hyatt Milan.

Located in Taormina, a premium destination on the eastern Sicilian coast, the hotel will comprise 121 suites. The project includes private terraces, views of the Ionian Sea and Mount Etna, a regional-inspired gastronomic offer and a spa.

According to Hyatt, these new openings respond to sustained demand in the high-end, lifestyle and luxury segments.

The group also emphasizes the potential for converting existing hotels to accelerate the development of its international brands in the most coveted Italian destinations.

“Italy represents an important growth market for Hyatt, as it combines strong tourist demand with a broad fleet of independent hotels,” explains Nuno Galvao Pinto, Vice President Development EAME of the group.


Amelia Brille Publié par Amelia Brille Rédactrice TourMaG.com
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Italy: 5 Off-the-Beaten-Path Getaways by the Sea, Lakes, and Mountains

Italy is not limited to its star destinations: here are five places to head out to sea, far from the most traveled routes.

Camogli, serenity a stone’s throw from Portofino

Life with your feet in the water. On the Ligurian coast, at the edge of the Gulf of Paradise, the town of Camogli unfurls its trompe-l’oeil façades, brightly painted, along a pebble beach bathed by the Ligurian Sea. It’s hard to believe that this haven sits fifteen kilometers northwest of the bustling Portofino, the area’s most frequented destination, with jet-set vibes and luxury yachts. Camogli, for its part, preserves a calmer atmosphere, animated by the ballet of its small community of artisanal fishermen.

Herculaneum, the other Pompeii

The site of Pompeii impresses with its enormity, but Herculaneum, a little farther north, also swallowed by the Vesuvian eruption in 79 CE, strikes visitors with its exceptionally well-preserved state. This is evidenced by the monumental fresco in the College of the Augustales (the priests of the Imperial cult), which depicts the duel between Hercules and Acheloüs to win the hand of the beautiful Deianira. A seaside town, it sheltered wealthy patrician houses, many of which, along with refined objects and mosaics, survived the catastrophe.

Orta, the Cinderella of the great lakes

In the shadow of its famous elder siblings, Lake Como and Lake Maggiore, which are grand and cosmopolitan, Lake Orta is small, modest, discreet… yet it possesses breathtaking beauty. This is why it is nicknamed Cenerentola, the Cinderella of the lakes. Just 400 meters from the shore of this Piedmont jewel rises the San Giulio Island (isola San Giulio), a rocky islet crowned with a millennial basilica and a Benedictine abbey. A path, the Via del Silenzio (“the Way of Silence”), winds across the island, lined with signs inviting meditation.

Porto Pino, Sardinia, but on the southern side

Forget the crowds of Costa Smeralda in northern Sardinia. Point your compass instead to the island’s southwest, where, about an hour and a half drive from Cagliari, Porto Pino reveals an astonishing tableau: wind-sculpted, monumental dunes of white sand, pale as powdered sugar, rising up to 20 meters, and drifting into turquoise waters. Here there is no flashy hotel complex, but ancient junipers and unspoiled wild nature. The Sardinian version of the edge of the world.

Abruzzo, a giant in the shadow of the Dolomites

The landscapes, spectacular, evoke those of the Dolomites’ hiking trails… minus the crowds. In the wild Abruzzo region (central Italy), flocks graze peacefully on vast high-altitude plateaus, dominated by the colossal silhouette of Gran Sasso, a massif of the Apennines with sheer limestone faces rising to 2,912 meters. The ultimate frontier of a mountainous and pastoral Italy.

Article published in GEO magazine no. 571, “Hidden Italy, from Marche to Calabria”, September 2026.

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Italy, West Bank, Puerto Rico: This Week’s International News [ABO]


La revue de presse internationale de la semaine - Depositphotos.com, serezniy

Costa Rica


In the weekly press review for the week of July 6, 2026:

Israel aims to revitalise tourism in the West Bank

Literary tourism opens a new chapter with a hotel dedicated to Icelandic narratives

Turkey accelerates on rail to boost its tourist appeal

Artificial intelligence and digital technology at the heart of the airport of tomorrow

The “Alpine Summer,” the fresh new escape against heat waves

In Doha, a face becomes the new passport for paperless travel

Italy toward a record summer, driven by the North and new mobility

A new label to reassure travelers facing the risk of bed bugs

Odd! When a TikTok clip becomes the most entertaining tourism office in Puerto Rico!



Israel aims to revitalise tourism in the West Bank


Israël veut relancer le tourisme en Cisjordanie - DepositPhotos.com, lucidwaters

The Israeli government announced a 27 million shekels (about 6.65 million euros) investment aimed at strengthening the hotel sector and supporting the revival of tourism in the Israeli settlements in the West Bank, an occupied territory where these settlements are deemed illegal by international law.

The stated objective is to attract more visitors and bolster local economic activity, as tourism in Israel has fallen sharply since the start of the war in October 2023.

This initiative has sparked strong criticism: NGOs denounce increased support for colonization and for land restrictions affecting Palestinians, while some Israelis choose to avoid these areas for security or ideological reasons.

Read an article on thetimes.com


Literary tourism opens a new chapter with a hotel dedicated to Icelandic narratives


À Akureyri, dans le nord de l’Islande, un nouvel hôtel Hilton s’attaque au tourisme littéraire - DepositPhotos.com, Dudlajzov

In Akureyri, in northern Iceland, a new Hilton hotel is betting on the power of literature to attract travelers seeking immersive experiences.

The Skáld Akureyri, Curio Collection, draws on Icelandic tradition of poets and storytellers, with decor that blends literary references, Nordic craftsmanship and local landscapes.

Following festivals, author circuits and themed journeys, hotels are tapping into the rise of literary tourism, a trend that is bringing more visitors to places linked to writers, works and cultural imaginaries.

Source euronews.com


Turkey accelerates on rail to strengthen its tourist appeal


La Turquie veut relier 27 provinces par le train d’ici 2028 - DepositPhotos.com, ifeelstock

Turkey continues developing its high-speed rail network with the aim of linking 27 provinces by 2028, up from 11 currently served.

This ambitious programme seeks to facilitate travel for passengers across the country.

In the longer term, the objective is to enable traversing Turkey in just 48 hours by 2053, thereby strengthening connections between major cities and tourist destinations.

More to discover on fvw.de


The Alpine Summer, the new refreshing escape against heat waves


In Doha, the face becomes the new passport for paperless travel

Doha’s Hamad International Airport takes a new step in the digitisation of travel with the launch of the biometric “Fast Pass” service.

Thanks to facial recognition, Qatar Airways passengers can now pass through several checkpoints and board with fewer documents to present.

Deployed at more than 700 touchpoints, the technology helps save time and streamline the experience.

More to read on euronews.com


Italy toward a record summer, driven by the North and new mobility


L’Italie devrait vivre un été record, avec une fréquentation en hausse du nord du pays - DepositPhotos.com, Alexmit

Italy is preparing to experience an exceptional summer season, with strong attendance and hotel occupancy rates higher than those of several competing European destinations.

Travelers are gradually moving away from the traditional hotspots to prefer the northern regions, lakes and spa towns, while the growth of direct flights makes access to the country easier.

This dynamic confirms a shift in tourist habits toward more diversified destinations and away from concentrating solely on iconic sites.

Source: lefigaro.fr


A new label to reassure travelers facing the risk of bed bugs


Le label « Bed Bugs Project » vise à renforcer la confiance des touristes face à la menace des punaises de lit dans les hébergements - DepositPhotos.com, jareynolds

As the summer holidays approach, a new label aims to strengthen traveler confidence in the face of bed bug threats in accommodations.

Launched by Bureau Veritas in partnership with industry experts, the “Bed Bugs Project” certification supports hotels, campsites, tourist residences and holiday clubs in prevention and management of infestations.

With an uptick in interventions during the summer season, this approach aims to become a seal of sanitary quality and reassurance for travelers.

A piece on geo.fr


Insolite ! When a TikTok clip becomes Puerto Rico’s most entertaining tourism office!

In Puerto Rico, a song that originated spontaneously on social media gained unexpected momentum… to the point of becoming the island’s official tourism anthem!

Discover Puerto Rico rode the wave by turning this viral buzz into a vibrant music clip filmed across the destination.

Between beaches, gastronomy, culture and friendly locals, the message is simple: after singing it online, you just have to come and experience it in real life.

Sometimes, the best tourism ambassador lies in a few notes and a catchy chorus!

Read on sanjuandailystar.com

Summer in Italy: Italians Discover Curling by the Colosseum

A curling under a bright sun and just a few meters from the Colosseum? It’s an activity that has drawn some Italians in for several months. A curling rink has indeed been installed on the Oppian Hill, amid Rome’s ancient monuments. “Everything happened in a completely spontaneous way and we had a lot of fun”, tells the New York Times Luca Puzziferri, a 37-year-old doctor who came to try the sport with his wife and two friends.

Since the Milano-Cortina Winter Games held in February, curling has generated a certain enthusiasm among Italians. The Italian team notably won a bronze medal in mixed doubles, sparking unprecedented interest in the discipline in the Bel Paese.

A curling rink in an exceptional location

This curling rink in the unique setting was installed last June by Sport e Salute, the public body responsible for promoting sport in Italy. “After the Olympic Games, everyone had a dream: to discover curling,” explains to our colleagues Diego Nepi Molineris, the organization’s chief executive. The institute wished to take advantage of the curling spotlight to encourage Italians to discover the sport even more.

To create an outdoor rink that can withstand the heat, its surface is made of plastic. It measures about 12 meters long by nearly 3 meters wide, compared with roughly 45 meters by 5 for a regulation rink. The stones are also much lighter and the brooms are mainly used to retrieve them rather than to modify their trajectory.

The idea is therefore not to turn participants into Olympic athletes, but simply to introduce the rules and the sensations of curling. “It’s the spirit of the game that counts”, says Andrea Gios, president of the Italian Ice Sports Federation.

What is the popularity of curling in Italy?

If the country hopes to attract new players, curling facilities in Italy are few. The country currently has only seven dedicated rinks, all located in the north, for just 425 licensed players. The north of the boot is indeed the cradle of the discipline since it was introduced there in the 1950s in the Alps, at Cortina d’Ampezzo.

The sports officials now hope to capitalize on the momentum created by the Olympic Games to develop the sport. If demand is sufficient, the rink installed opposite the Colosseum could be rebuilt with real ice as early as November. It would not be of international dimensions, but would at least allow Romans to get an introduction to curling. This would thus help sustain interest in the discipline.

Italy: Private Beach Wars Rage On as the Mafia Gets Involved

Along nearly 8,000 kilometers of the Italian coast, parasols and sunbeds line up with near-military precision. Every fifty meters, the establishments change, and the shades of the beach furniture do as well. These “bathhouses” or “lidos”, more formally known as seaside concessions, embody an entire lifestyle: sand raked at dawn, cocktails served to music—often Italo disco—and spots rented at astronomical prices depending on how close to the water the client wishes to be.

But this meticulously crafted postcard hides a harsher reality, that of a country where nearly half of the coastline is governed by private interests, relegating the “public beaches” (spiagge libere in Italian) to less attractive corners of the boot, often without restrooms or supervision.

Sea Free: Facing the Headwinds

To combat this massive privatization, a citizen movement has emerged in recent years under the banner Mare Libero (literally, “Sea Free”). Danilo Ruggiero, head of the campaign, tells The Guardian, on Sunday, July 19, of a profound transformation of the country’s beaches, turned into “small seaside resorts” with pools, parking lots, and even clothing shops and gyms inside the complexes. He himself lives in Ostia, near Rome, where 80% of the coastline belongs to what he affectionately calls “the United States of the Lidos”.

All around these private zones, walls, fences, or hedges have been erected to guarantee privacy for those who pull out the wallet, blocking the view of the sea for residents and tourists who want to enjoy the landscape for kilometers.

Only 5% of public beaches in Naples

In the northern part of the Gulf of Naples, the young mayor of Bacoli, Josi Gerardo Della Ragione, 39, has gained national notoriety by fighting tooth and nail against the “profiteurs” of the beaches. “Until recently, our beaches were crowded with illegal huts, barbed wire, gates, and intercoms”, the mayor told the British paper. It then took ringing an intercom to be known by the site manager to be allowed onto the warm sand. In Campania, private concessions account for 70%. They rise to 95% in Naples itself.

The mayor did not hesitate to send in bulldozers to demolish warehouses illegally built on public land. “It is evident that the public domain seized by force and intimidation will be defended by force and intimidation. Once, we even came across an official armed with a chainsaw, heading toward municipal workers”, recounts Josi Gerardo Della Ragione.

The Mafia’s Shadow and the Lure of Profit

The struggle is not only a tourism issue. The local mafia is involved as well. For a long time, the Camorra thrived on the lucrative yet opaque management of these seaside establishments. Several properties in Bacoli were confiscated from mafia clans, such as the Pariante family, to be returned to the public, like Villa Ferretti, which has overlooked the Gulf of Pozzuoli since the 19th century.

Not far away, Miseno beach remains entirely occupied by complexes belonging to the army, the navy, or the customs service, representing nearly 100,000 square meters reserved for exclusive use. “The sum of individual interests is always less than the common good”, laments Josi Gerardo Della Ragione.

Since 2006, Brussels has required that coastal concessions in the European Union be allocated through transparent tenders, but successive Italian governments have extended the deadline and repeatedly postponed it. For concession defenders, such as Antonio Capacchione, president of the seaside operators’ union, these establishments provide safety for their clients because lifeguards are mandatory, something not always guaranteed in Italy. For Mare Libero militants, this argument, minimal compared to the scale of profits, cannot stand on its own.

Italy Vacation: Must-Know Rules Before Dining Out

Dining at a restaurant in Italy is a serious business. Cutting your spaghetti, ordering a cappuccino at 2 p.m., asking for a carafe of water—these are French reflexes that risk betraying you to the Italians. Some rules may seem strict to foreign visitors, but they remind us that sampling an Italian specialty means also immersing yourself in a culture, adopting its codes, and accepting to disrupt your habits.

Coffee, a Whole Story

Do you dream of a delicious espresso? In Italy, a coffee is inherently an espresso. So there is no need to specify it, unless you want a ristretto. As for the moment you order your coffee, it also matters. No Italian waiter will agree to bring it to you before your meal is completely finished, as well as your glass of wine. The ultimate mistake is ordering a cappuccino after a meal. Don’t even think about it. Italians drink their cappuccino (which contains milk and sugar) in the morning, as breakfast. After 11 o’clock, cappuccino time has passed!

Shaking Up the Order of Courses

For a beginner, reading a menu in Italy can be unsettling. A traditional meal is composed of 4 courses: antipasti (starters), primi piatti (first courses), secondi piatti (second courses), dolci/frutta (desserts or fruit).

And that plate of pasta or that risotto you crave so much is part of the “primi piatti.” Of course, restaurateurs will accept (perhaps with a sigh) serving you only spaghetti alle vongole, even if you forget to order a meat or fish dish that would normally come next.

Asking for a Carafe of Water

There is nothing stopping you from asking, but it is very unlikely you’ll get your way. Even when ordering still water (Acqua naturale) rather than sparkling (Acqua frizzante), a bottle of mineral water typically appears on your table. A tip? Don’t bother fighting it.

Adding Parmesan to Seafood Pasta

Imagine you’re in Venice and order Spaghettoni al nero di seppia at the Do Farai (Calle del Cappeller, Dorsoduro 3278). When the plate arrives, you’ll have to resist the urge to ask for parmesan at all costs. In Italy, mare and monti do not mix. This applies to parmesan on pasta, as well as to the secondo piatto, which would then be… only fish.

Cutting the Spaghetti

Here is a rule you must never break, or you might see the carabinieri appear behind you. We’re hardly exaggerating! The shape of the pasta is its very essence, and cutting it deprives it of its identity. And don’t even think about using a spoon to make life easier. Again, this is a gesture considered particularly ineloquent.

Good to know. For the same reason, spaghetti should never be broken before cooking.

Hiking: 5 Must-See Itineraries to Discover Italy on Foot

They say all roads lead to Rome, and for these five, that’s precisely true. At a moment when hiking is gaining popularity — nearly 30 million French people report having practiced it in the last 12 months, making it the most widespread physical activity — here are five itineraries rich in history and culture, to walk in order to discover Italy differently. From nature trails to villages, the “Antichi cammini d’Italia” (Ancient Paths of Italy) unfold several hundred kilometers across the country, and even beyond to the heart of Europe. All converge on Latium and Rome, and all share the common aim of revealing a preserved Italy.

1/ The Via Francigena, one of the oldest medieval pilgrimage routes

A thousand kilometers through some of the most beautiful landscapes in Italy: a dream come true! The Via Francigena is one of Europe’s most attractive cultural routes. While it links Canterbury to Rome, it is its Italian section that enchants walkers from all over the world the most. From the Grand-St-Bernard Pass to the Eternal City, the Italian stretch, about 1,000 kilometers long in 45 stages, reaches its experiential heart in Latium, through the Tuscia of Viterbo. In Bolsena, on the shores of the eponymous lake, the Eucharistic miracle of 1263 inspired the feast of Corpus Domini; Montefiascone houses the Rocca dei Papi, the papal fortress; Viterbo, an ancient papal city, preserves one of the largest medieval districts in Italy; Sutri offers its Roman amphitheater entirely carved in tuff. At the end of the path, La Storta, the final stop before Saint Peter.

Basilica di Santa Margherita a Montefiascone

2/ The Saint Francis Way: between forests, villages and sanctuaries

This route, both athletic and spiritually infused, connects the most emblematic places of Saint Francis of Assisi’s life. It consists of two branches that converge on Assisi: the North Way, about 190 kilometers from La Verna where Francis received the stigmata in 1224, and the South Way, about 300 kilometers in 13 stages, which traverses Latium entirely from Rome to Assisi. In the heart of Latium, in the Valle Santa of Rieti, four Franciscan sanctuaries concentrate the memory of decisive moments in the Saint’s life: Greccio, where in 1223 Francis made the first crib in history; Fonte Colombo, where the Rule of the Order was dictated; La Foresta, the site of the grape miracle; and Poggio Bustone, where he received the revelation of the forgiveness of sins. Upon arrival in Assisi, pilgrims receive the Testimonium.

3/ The Benedictine Way: on foot, by horse or by bike through the villages of Umbria and Latium

From Norcia in Umbria to Montecassino in Latium, this route exudes a singular spiritual and cultural depth. The itinerary runs about 300 kilometers in 16 stages — and it is in Latium that the longest stretch unfolds, across the Aniene Valley and the central valleys of the Apennines. In Subiaco, the Sacro Speco houses the cave where Saint Benedict lived as a hermit for more than thirty years, while the Abbey of Santa Scolastica hosted in 1465 the first active printing press in Italy. From there the path continues via Trevi nel Lazio, Casamari with its Cistercian abbey, Arpino (birthplace of Cicero), Roccasecca (linked to Thomas Aquinas) and the Melfa Gorges, before culminating at Montecassino, where around 529 Benedict founded the abbey that remains the heart of the Order. Patron of Europe since 1964.

Ponte di San Francesco,Subiaco
Ponte di San Francesco,Subiaco

4/ The Romea Strata: on the traces of pilgrims from Central and Eastern Europe

The complete route follows the tracks of medieval pilgrims for over 4,700 kilometers across seven countries, from the Baltic and Central-Eastern Europe to Rome. Recognized as a Council of Europe Cultural Route on June 17, 2025, the Romea Strata comprises 245 stages and more than fifty UNESCO sites along its journey. Its Italian section spans about 1,000 kilometers in 47 stages and touches, in Latium, Bolsena, Montefiascone, Viterbo and San Martino al Cimino before reaching Rome as the culmination of the voyage. Since 2024, thanks to mapping work by a network of volunteers, the final stretch no longer joins the Via Francigena: the Romea Strata now has an autonomous entry into Rome, which defines its identity.

5/ The Via Romea Germanica: from Germany to Saint Peter in Rome, following the path of a 13th-century abbot

The Via Romea Germanica retraces the route of Abbot Albert of Stade, who walked in the 13th century from Lower Saxony to Rome. The Italian section measures about 1,050 kilometers from the Brenner Pass to Rome and joins, in Latium, the Via Francigena at Montefiascone. From that point, the two paths merge and together cross the Tuscia of Viterbo: Bolsena, Viterbo — where every September 3 the Macchina di Santa Rosa takes place, recognized by UNESCO as intangible cultural heritage of humanity —, Vetralla, Sutri and the Veio Regional Park, up to La Storta. A northern variant in Latium also passes through Civita di Bagnoregio, the famous “dying city” perched on a tufaceous spur in the heart of the Tuscia.

Along the Antichi Cammini d’Italia, each stage offers a plunge into an Italy still preserved, where history, nature and contemplation blend harmoniously. At the end of these long marches, in Rome and in Latium, it is the living heart of the country that speaks.

Mausoleo di Romolo, Roma
Mausoleo di Romolo, Roma

To learn more

Projet financé par l’Union européenne – Next Generation EU « Antichi cammini d’Italia »,
PNRR – Mission M1C3 Investissement 4.3 Intervention 274 – maître d’ouvrage MINISTÈRE DU TOURISME ITALIEN, Agence d’exécution ENIT SpA

Sponsored article by ENIT S.p.A.